Biography:

Brian Keith “Herbie” Flowers (19 May 1938 – 5 September 2024) was an English musician specialising in bass guitar, double bass and tuba. He was a member of groups including Blue Mink, T. Rex and Sky and was also a prolific session musician.

Flowers contributed to recordings by Elton John, Camel, David Bowie, Lou Reed, Roy Harper, David Essex, Al Kooper, Bryan Ferry, Harry Nilsson, Cat Stevens, Paul McCartney, George Harrison and Ringo Starr. He also played bass on Jeff Wayne’s Musical Version of The War of the Worlds.

He created his most famous bassline for Lou Reed‘s 1972 hit single “Walk on the Wild Side” from the album Transformer. By the end of the 1970s, Flowers had played bass on an estimated 500 hit recordings.

Life and career

Flowers was born in Isleworth, Middlesex, England,[1] on 19 May 1938.[2] He began his musical training in 1956 when conscripted into the Royal Air Force, electing at first to serve for nine years as a bandsman playing tuba. He took up double bass as a second instrument to secure his “Junior Technician” stripe and later moved to bass guitar.[3] After completing his military service he passed through the line-ups of several Dixieland jazz bands in the early 1960s, then discovered modern jazz. In 1965 he was engaged as a bandsman on the ocean liner Queen Elizabeth. After hearing an electric bass at a New York nightclub, he acquired his own solid-body electric instrument,[4] a Lake Placid Blue 1960 Fender Jazz Bass that he purchased from Manny’s Music in New York City for $79.[5]

Later in the 1960s, Flowers began to acquire his reputation as a session player, working for record producers such as Shel Talmy, Mickie Most, Steve Rowland, Richard Perry, Gus Dudgeon and Tony Visconti.[6]

In 1969 Flowers was a founding member of the group Blue Mink, playing on their song “Melting Pot” which reached No. 3 in the UK singles chart,[7] and early heavy rock band Rumplestiltskin. He was also a member of CCS and the final line-up of T. Rex, along with Dino Dines.[7]

In 1979, shortly after taking part in the annual A Song For Europe contest, performing “Mr Moonlight” with his group, the Daisies, he became a co-founder of the band Sky which had success in the United Kingdom and Australia.[1]

Flowers is also known for having composed the novelty hit “Grandad” for Clive Dunn in 1970.[7] According to Flowers,[8] he came up with it after following an easy primer book on composing. All he needed was a hook, and he was struggling to come up with anything. He telephoned a friend, Ken Pickett, who came round, ringing the doorbell, and the sound of the doorbell provided the hook he needed.[9]

Perhaps Flowers’s most famous bassline is the one he created for Lou Reed‘s “Walk on the Wild Side” from the album Transformer (1972), a twinned ascending and descending portamento.[7] The only single by Reed to reach the Top 20 in the US,[10] it reached No 10 on the UK singles chart and was certified Platinum by the BPI.[11] In an interview on BBC Radio 4 (Playing Second Fiddle, aired July 2005), Flowers claimed the reason he came up with the twin bass lines was that as a session musician, he would be paid double for playing two instruments on the same track.[12] Flowers’s bass hook was performed on double bass overlaid by fretless Fender Jazz Bass. He was paid a £17 flat fee (equivalent to £300 in 2023).[13][14]

He played and recorded with Marc Bolan from late 1976 until Bolan’s death, in September 1977, and also appeared with him on the Marc television series in 1977.[1]

Following Sky’s demise in the early 1990s, Flowers spent most of his time playing jazz. He also worked as a bass guitar teacher at Ardingly College and lead many “Rockshops” at schools, helping young people to create and perform their own songs, as well as covering many others.[15]

In 1998 session drummer Peter Boita again teamed up with Flowers to form a rhythm section in musical settings of the words of poet Sir John Betjeman on a second album they recorded together. The album was called Betjeman & Read. They had previously worked together on the Poetry in Motion album (released on Silhouette Records as MDKR 1), which also consisted of settings of Betjeman’s It featuring Boita and Flowers playing with a line-up of artists that included David Essex, Justin Hayward, Steve Harley, Donovan, Alvin Stardust, Captain Sensible and Annie Haslam amongst others, with Beatles’ producer George Martin overseeing proceedings.[16] Boita and Flowers reprised their roles when Poetry in Motion was performed live for a charity show at the Richmond Theatre on 5 April 1992. Betjeman & Read was one of the last albums recorded at the RG Jones in Wimbledon. The vocal artists performing on this album include Cliff Richard, Marc Almond, Paul Young, Jon Anderson, Colin Blunstone, Gene Pitney, Leo Sayer, Donovan, Mike Read, the Rodolfus Choir and David Essex.[17]

Over the course of his career Flowers contributed to recordings by Elton John (Tumbleweed Connection, Madman Across the Water), Camel (tuba on Nude), David Bowie (Space Oddity, Diamond Dogs), Lou Reed (Transformer, including the two prominent basslines of “Walk on the Wild Side”), Melanie (Candles in the Rain), Roy Harper (Bullinamingvase), David Essex (Rock On), Al Kooper (New York City (You’re a Woman)), Bryan Ferry (The Bride Stripped Bare), Harry Nilsson (Nilsson Schmilsson, Son of Schmilsson), Cat Stevens (New Masters, Foreigner), Paul McCartney (Give My Regards to Broad Street), George Harrison (Somewhere in England, Gone Troppo, Brainwashed) and Ringo Starr (Stop and Smell the Roses). He also played bass on Jeff Wayne’s Musical Version of The War of the Worlds.[7]

By the end of the 1970s, Flowers had played bass on an estimated 500 hit recordings.[4]

Credits:

Wikipedia