Biography:

Luigia “Gina” Lollobrigida^[a] OMRI^[3] (4 July 1927 – 16 January 2023) was an Italian actress, model, photojournalist, artist and politician. She was one of the highest-profile European actresses of the 1950s and 1960s, a period in which she was an international sex symbol. Dubbed “the most beautiful woman in the world”,^[4] at the time of her death she was among the last surviving high-profile international actors from the Golden Age of Hollywood cinema.

As her film career slowed, Lollobrigida established a second career as a photojournalist. In the 1970s she achieved a scoop by gaining access to Fidel Castro for an exclusive interview.

Lollobrigida continued as an active supporter of Italian and Italian-American causes, particularly the National Italian American Foundation (NIAF). In 2008 she received the NIAF Lifetime Achievement Award at the Foundation’s Anniversary Gala.^[5][6] In 2013, she sold her jewellery collection and donated the nearly US$5 million from the sale to benefit stem-cell therapy research.^[7] She won the Henrietta Award at the 18th Golden Globe Awards. According to Italian newspapers, Gina Lollobrigida’s estimated net worth at her death was $215 million.

Youth

Luigia Lollobrigida was born in Subiaco, Lazio (about 64 kilometres (40 mi) from Rome), the daughter of a furniture maker and his wife.^[8] She had three sisters: Giuliana, Maria and Fernanda. After the end of World War II in 1945, the family moved to Rome, where Lollobrigida took singing lessons, did some modelling, and participated in several beauty contests, placing third in the 1947 Miss Italy contest. In 1946, she began appearing in Italian films in minor roles.^[9]

In 1945 at age 18, Lollobrigida played a part in the comedy Santarellina by Eduardo Scarpetta at the Teatro della Concordia of Monte Castello di Vibio,^[9] the smallest theatre all’italiana in the world.^[10]

Acting career

Cinema

In 1950, Howard Hughes signed Lollobrigida on a preliminary seven-year contract to make three pictures a year. She refused the final terms of the contract, preferring to remain in Europe, and Hughes suspended her.^[11] Despite selling RKO Pictures in 1955, Hughes retained Lollobrigida’s contract. The dispute prevented her from working in American movies filmed in the U.S. until 1959, but allowed for American productions shot in Europe, although Hughes often threatened legal action against the producers.^[11]

Her performance in the Italian romantic comedy Bread, Love and Dreams (Pane, amore e fantasia, 1953) led to its becoming a box-office success^[11] and her receiving a BAFTA nomination. Furthermore, she won a Nastro d’Argento award from the Italian National Syndicate of Film Journalists for her role in the picture. Lollobrigida appeared in The Wayward Wife (1953) and in Woman of Rome (1954). These were three of her most renowned Italian films, but she worked also in the French industry on such films as Fearless Little Soldier (Fanfan la Tulipe, 1952), Beauties of the Night (Les Belles de nuit, 1952), and Le Grand Jeu (1954).^[12][13]

Her first widely seen English-language film, Beat the Devil (1953), was shot in Italy, and directed by John Huston.^[14] In this film she played the wife of Humphrey Bogart, with Jennifer Jones and Robert Morley as her costars. She then took part in the Italian-American production Crossed Swords (1954), co-starring with Errol Flynn. Her performance in The World’s Most Beautiful Woman (also known as Beautiful But Dangerous, 1955) led to her receiving the first David di Donatello for Best Actress award.^[9] In this movie Lollobrigida played Italian soprano Lina Cavalieri and sang all the songs in the movie, including arias from Tosca, in her own voice.^[15] She played the principal female lead in the circus drama Trapeze (1956)^[8] directed by Carol Reed and co-starring with Burt Lancaster and Tony Curtis and in The Hunchback of Notre Dame (1956) appeared as Esmeralda with Anthony Quinn as Quasimodo.^[8] The film was directed by Jean Delannoy.^[9]

 

She appeared in the French movie The Law (1959), alongside Yves Montand and Marcello Mastroianni; then, she co-starred with Frank Sinatra in Never So Few (1959) and with Yul Brynner in Solomon and Sheba (1959).^[8] The latter was the last film directed by King Vidor and features a dance routine which was supposed to depict an orgy scene. Brynner had been chosen to substitute for Tyrone Power, who died before the shots were completed.^[16]

In the romantic comedy Come September (1961), Lollobrigida had a leading role along with Rock Hudson, Sandra Dee, and Bobby Darin. It was a film for which she won a Golden Globe Award. She appeared, also in 1961, with Ernest Borgnine and Anthony Franciosa in the drama Go Naked in the World.^[13]

 

She attended the 1961 Academy Awards ceremony, hosted by Bob Hope, delivering the Academy Award for Best Director to Billy Wilder for the film The Apartment.^[17]

Jean Delannoy then directed her again, this time in Venere Imperiale (1962). She co-starred with Stephen Boyd and received Nastro d’Argento and David di Donatello awards. She co-starred with Sean Connery in the thriller Woman of Straw (1964), with Rock Hudson again in Strange Bedfellows (1965), and appeared with Alec Guinness in Hotel Paradiso (1966).^[18]

Lollobrigida starred in Buona Sera, Mrs. Campbell (1968) with Shelley Winters, Phil Silvers, Peter Lawford, and Telly Savalas.^[19] For this role, she was nominated for a Golden Globe Award and won a third David di Donatello award. Lollobrigida co-starred with Bob Hope in the comedy The Private Navy of Sgt. O’Farrell (1968) and also accompanied Hope on his visits to military troops overseas.^[19]

During this stage of her career, she rejected roles in many films, including Lady L (1965) with Tony Curtis, directed by George Cukor, due to conflicts with Cukor (the leading role then went to Sophia Loren); Five Branded Women (1960), directed by Martin Ritt (the leading role went to Silvana Mangano); and The Lady Without Camelias (1953), directed by Michelangelo Antonioni (the leading role went to Lucia Bosè).^[20] She later revealed regret for having refused a supporting role in La Dolce Vita (1960). The film’s director, Federico Fellini, wanted to cast her in the film but, she explained, proposed projects were arriving too often at the time and her husband accidentally misplaced the script.

By the 1970s, her film career had slowed down. She appeared in King, Queen, Knave (1972), co-starring with David Niven,^[21] and in a few other poorly received productions in the early part of the decade. In 1973, she was a member of the jury at the 8th Moscow International Film

Credits:

Wikipedia